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Wayfinding

by Wayfinding

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1.
Bad Blood 05:38
Had a bad dream last night the folding cliffs were towering But there was a comfort there delusive and devouring This blood is sickly It seethes greasily The pewter light of the sky at night Transitions and disappears A shack in spite of the shoreline might To the bay's engulfment volunteer a person can stuff their ears full of diamonds and money to shelter from their fears But they won't know the waves from the pier The folded cliffs of that abyss Where terrors certainly eclipse And ripple on Through many generations That bear the sleet bodies, stolen to this sickly kiss I am beholden I and you in this sickly abyss Hold to me, I’ll hold to you Whenever I am able to I'll hold your love, like a crimson vice That casts some grace on brazen nights Hold faded love in melody And conjure bone-clear memory Of this unyielding bittersweet coast Where no wreck, nor beak nor feather’s ghost Bares a mention I’d say, “That man is placeable and tethered” You say “That man is an innate shill” But the jubilance of song when you holler beats those shilling dollars The governance of money does not reconcile the body, its bad blood and folly It is a deathly charm, A damonclean mess To be lulled into its arms Bad blood bad blood Bad blood to the mire and the mud.
2.
The apothecary tends the bar, beachside, below the treeline You lay floating in my arms in the tepid water, our skin is brined Your gaze at the cliffs above where the sweet sea bird returns to dwell Tepid words I'm bereft of softly singing Belafonte’s Farewell Like the wind that chides the garry oak tree at night Oh babe you know I’ve got a blissful mind but sometimes my mind, it is unkind blissful tides will fade away to the oblivion of memory Till the future’s the only sensory My cup was full and heady Weather brined I was bound unsteady The bar attendant, my apothecary Divined a temperament unwary On his face the shadow of palms swayed “What is a tear worth?” said I and stumbled among the flora He said, “it’s worth what you've put into it” A distant band struck up Guadalajara Well the wind that chides the garry oak tree At night in the tropics sleep is fitful soaking But you can’t dream the past away And a garry oak tree always first in the fall to drop its leaves So there’s no use in crying about a garry oak memory
3.
Hiro came up from the woodshop For a cup of wine I was recording guitar parts For a song of mine Titled: Scent of Memory Nervous, for the coming of his child, He spoke of woodworking, His voice delicate and mild And in between pulls of wine He laughed at me Saying “i am obsessed with how the shama thrush sings Before the coming of night” Nights are long and ruinous It can feel like you’re on a empty bus To the undisclosed loneliness Oh the rare and rapt beauty of the robin’s dulcet melody Harbours a special unease When it arises with the morning’s glare And if you should inscribe Iambic pentameter on my gravesite make it a couple of lines about the first part of my life No empty accolades Or poetry infantilized Just the good times
4.
Lost in a miasma of discordant sound Sad eyed king on palatial ground Tomorrow is a long time when you're a memory With these demon vibes the outcome is poor in summary Is that a station up in the sky? or the stigmatism in my left eye? Was it dark and was I sleeping? I must have jerked awake and broke our kingdom. I spilled my glass of water on the floor The fans in your bedroom They just push around the stagnant air Was I sleeping or is it much later and I just dreamt you were there? Now the skyline of my mind Looks like some kind Of smashed circuit board And to unfuck it I must settle a serious score Lost in a miasma Of plain thoughts and roaring sea Neptunian torrents of sky echoed all round me Feeling permanently delirious Fear I have become terminally serious Drinking in the rain at the beach again A can of beer flowed over and suds upon my chin Sheltering it from the rain With my sleeve I wiped my skin Do you still have that copy of Scott 4  I bought for you for your birthday, especially from our friend’s record store?  This constantly cycling through the memory of my worst behaviours  is like the feeling of constantly pissing my drawers when I'm a passenger in a car at night, I like to stare at the driver in the car to the right And when their concentration breaks  And they are alerted to my gaze I like to pretend I know them or that there’s someone hiding in their back seat  When you’re a passenger in a car at night. 
5.
I said I surely adore you She said I know, you tell me all the time then she stepped outside and closed the door I felt agitation in my mind standing alone in the hall through the window the sun beamed on the bottle as I swigged And the thought jumped into my mind real quick of Thomas in a Rick James wig. There he is clear as day in my memory Laying on the grass in the breeze High on acid, telling me jokes Under the poplar trees I remember it was his birthday and Though I don't recall the jokes specifically I remember laughing at them with ease Now I sit at a bar Enduring a lesser occupation Feeling the sentiment of a lower echelon On a daily occasion That great god damned gilded age is gone Dr. Peter is gone Now when I'm done work I just go home to sleep And do so as a character from one of my friend David's songs He said that's the dummest thing I've ever heard Upon hearing I'd slept out in the park But I was caught last up at our hosts house  Long after the lights dimmed and the house grew dark  I figured it'd be no problem I'll just take a rest, sleep later in the van  And I lay down on the freezing dew  In the morning Thomas laughing, chiding me Saying there was always lots of room inside for you  Oh ya I know, I replied  Red faced and swelling with rage  The previous night's revelry having all but faded  Left a gaping pain in my head  That couldn't be cured by joke nor pill  Nor bread Slightly embarrassed, though my thoughts still clouded red All I know is I'm not driving, I said  We set out after breakfast Covered 8 hours of prairie Pulled up in the late evening at the Apollo (Not the one your thinking of, the one in Thunder Bay) The owner Sheila fed us pints of 50' Her mother fried up something to eat We didn't even have a show to play Just a friendly place to stop and celebrate Matt's 30th birthday It was most likely another night before reaching reaching Toronto Excited to see old friends who lived there Playing at a place shaped like a boat Matt and Thomas has this song they always ended with And it went on and on at the end on the same note Embolden by a few nights of rest And probably over imbibed, my spirit afloat I progressed to climb onto the bass amp And as that last song played out in 4/4 I threw myself over the cymbals and the whole drum kit was heaped out on the floor With Matt and I in embrace and dumbly laughing I did that same thing at the end of every show the rest of that tour I still remember Thomas in a Rick James wig.

about

Marek and I have worked together as musicians on several projects spanning more than 15 years but we've never had a project that was solely our own. The Wayfinding EP came about when I sent Marek some song sketches and along with Matthew we developed them at a little studio in Vancouver. This little album went through a number of heavy revisions eventually landing in this textured gothic-sounding thing which we asked Cassia (Wares) to help us fill out live and have since brought her on as a full member.

Thematically it's about dipping into fading memories and pulling them into sometimes reverent, comedic, or melancholic regions. There are ideas of good times and terrible times and coming to terms with my ancestry of colonialism and how that relates to my writing partner Marek and his ancestry. and in a way, all these things mash together in an undefined but hopefully beautiful and interesting way.

- Ryan Beattie


I don’t feel ashamed when I play music. I am me. I close my eyes, listen, and wait, then do my best to support. Before, when writing a song, I used to close my eyes, I used to imagine an audience, but now I feel my family and friends. When the sweat lodge door closes, you can't see anything, but you can feel everything. Cassia, Matthew, and Ryan provide the space to be free.

- Marek Tyler

credits

released April 21, 2023

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Wayfinding Edmonton, Alberta

Wayfinding is somewhat enigmatic and induced by the current moment and nature of the world around us. We here for it, supporting each through each chord change and chorus, and playing songs together.

Wayfinding is a new musical project led by musician/artist Marek Tyler, in collaboration with Ryan Beattie, Matthew Cardinal.
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